Owls of the World: Fulvous Owl

Fulvous Owl (Strix fulvescens) known also as Guatemala Barred Owl. Is found from Southern Mexico to Honduras. They prefer high-altitude tropical and temperate forests. Until recently it was just considered another race of Barred Owl (Strix varia). It’s coloration and song both resemble their Northern cousins. They’re quite elusive and proper study has still yet to be conducted to delve further. Fulvous Owls feed on small mammals, birds, reptiles, amphibians and insects. They lay 2-5 eggs per clutch and nest in holes in trees.

Thanks for looking at birds with me.

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Owls of the World: Spotted Wood Owl.

Strix seloputo.

The Spotted Wood Owl is a medium sized owl. Averaging 18 inches tall. They are found across Southeast Asia. Its diet consists of rats, mice, small birds, and large insects. They roost by day, often close to the trunks of trees in dense foliage to avoid detection from other birds. They nest high up in trees, and lay up to three eggs at a time. They prefer nesting in partially clear forests and hunt in open areas. They can be found in populated areas, as well  as remote regions and areas not easily accessed like swamp forests and mangroves.

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My plan was to hold off on painting more in this series until I was settled in Chicago. But I found this old panel while packing and cleaned it up and went for what could best be described as an encore. It was such a privilege to get to paint all these here in Oakland, and I’m very excited for the projects to come in Chicago. Another huge thank you to all my friends and family for all the support. My goal with all this is simple; Share the birds of the world with you all. Now my easel is packed and my brushes too. Stay tuned for a Bateleur Eagle, found in Zimbabwe, Africa. Coming to you from the city by the lake.

And once more for good measure, thank you for looking at birds with me.

On a branch in the back of my mind.

I walked to California in concrete shoes,
Midwest boy with the nothing-certain blues.
 
She walked right past me with a halo made of lead,
I turned to look when I should have tied my shoes and fled,
 
She looked like spring and I looked like a thousand winters.
whenever I got near her my thoughts turned to splinters.
 
 
 
 
I’m not often sure who “she” is, but that’s an owl, I can tell you that much for certain.  
 
 
 

Sketchbook to ward off the rains

Because the hawks aren’t always in the meadow and the song birds seldom perch on my neighbor’s tree.
So I sit down to piece together my own birds of a feather from pencil, time, and pen.
And sometimes a lightning storm rolls through on a July afternoon. Cooling the air before the fireflies come out and I run to catch them.
If I was locked into a game of perpetual solitaire eye-spy. Then I’m just going to have to carry along a sketch pad to catch whatever falls near me.
It can be my umbrella.
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From waves of grain to the golden coast.

I used to pretend I could find my way home by the moss on the trees, or the leaves of the compass plant in the prairie. That was my Illinois. A grassland spotted with rivers and forests. An existence on the verge of a great adventure.

But that was Illinois and this is California.

I don’t recognize many of the plants here, and I don’t know any wives tales about them. I can’t find any discernable moss on any part of a tree around here.

There are a lot of long nights of highway driving between where I write these words, and where I was born to do so. highway homesick blues.

Hearts and ideas going by like the tops of the telephone poles through the window while you lay on your back across the whole backseat while your friend drives.

Driving across the country I grew up in helped me fall in love with a whole planet.

To be embraced and cared for. Fragile like eggs in a backpack full of hatchets.

I’d heard it sung:

“Picture a bright blue ball,
Just spinnin’, spinnin, free.
Dizzy with the possibilities.”

Too look over my shoulder tonight at Illinois and all it taught me, It leaves me feeling blessed for this opportunity to try my hand at an age old craft, and with my time, give something to the world to help it see it’s own beauty tied into the thread of our life in Earth’s natural kingdom. And California seems a fine place, with great biodiversity…..and The Grateful Dead are from here so yeah.

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The crow won’t fly.

Crow sits on a pen drawn branch.

Crow sits on a pen drawn branch.

I made this with a couple pens the other evening. I had the radio on and it played a song I liked a long time ago.

I enjoying the crows I see around town. This morning on my way to work I watched one dropping a walnut from the power lines above into the street below. His crow friends were watching and chattering loudly. All eyeing up his bounty, waiting for a car to unlock the goods. As soon as it did all alliances were voided in the chase for survival. Such as the deeds are all ways done day to day, whether we see it or not.

I see a lot of human traits in the crows around here and everywhere I’ve traveled. They chase each other like children on a playground. Holler loudly at passer byers like a drunk down town. Stand stoic like a poet lost in thought.

They embody well the poems with wings I strive to pin down on a page. Black as the night, but full of color.

Let the echo decide if I was right or wrong

When reading through the titles of the posts on my blog it won’t take long to find the musical influences on my artwork.
My dad shared a lot of really great music with me while I grew up. We went on a lot of  camping trips all of which involved a good ol’ fashioned road trip.
These trips are where I heard Bob Dylan’s music for the first time. Between Frank Zappa albums and NPR shows like Car Talk and Prairie Home Companion.
Dylan’s lyrics stick to my brain like glue, and climb out of my head to help me reference and sort out trials in my personal life and the world around me.
The end of a doomed from the get-go relationship last fall brought me to “It’s all right, don’t think twice”.
Just about any news coverage of violence brings me to “Desolation Row”….”The riot squad is restless, they need somewhere to go”.
That mysterious girl I met in the meadow last month reminds me of the words, “She’s got everything she needs
She’s an artist, she don’t look back,  She can take the dark out of the nighttime,  And paint the daytime black.”
Spending days on end working on these drawings furthers the connection some how.
Red-shoulder Hawk.

Red-shoulder Hawk.

Zone-tailed Hawk.

Zone-tailed Hawk.

From simple to sublime, I connect strongly to his poetry.
While I heard Dylan’s music a lot as a youngster, it was the Grateful Dead who I found as a teenager that brought me closer to Dylan’s work and more importantly his lyrics. Neither Dylan or the Dead will probably win an award for best singing voices, that’s not the point. Though I’m in so position to say so, I’d venture to guess it’s the poetry in the song that is the point.
I listen to a lot of music and I draw a lot of birds. There’s a connection there, but I’m not sure where and I’m not terribly interested in finding out what it is. I just know it works for me.
My goal above all is to share the results of such in some way with the world to give light to a beauty sorely missing in many of our day to day lives.
This will be how I save the world around me, or at least try.